![]() ![]() Artist Alix Boillot takes on the challenge of transforming the esplanade of the SUBS by imagining a monochromatic and multidimensional work: a central basin with a scenic agora, fountain sculptures at the four corners of the terrace, rainwater collectors, cool oases, a suspended garden, and flags that naturally announce the colour. Along the way, the links between art and colour are put into perspective.Ģ023, the SUBS, a living space for artistic experiences in Lyon, offers you a chromatic and aquatic experience: Blue. Our museographic spaces then peacefully transform themselves. The whole constitutes a coherent course of works which makes it possible to present the importance of colours in our living space, beyond their printed, painted or sculpted presence. The chosen colours also have an impact on the users: they are indeed as much a means of participating in the care as of nourishing the imagination on a daily basis. Her creations show that colour-matter, colour-light and colour-sensation make it possible to mark, transform and organise space. ![]() Sara de Gouy works with colour as material in space, as a tool for exchange and education. Her dedicated itinerary retraces the genesis, the design and the realisation of three of her projects ( Archisculptures, a tailor-made sculpture play area in Saint-Denis, the ephemeral light installation "Chromatik therapy", in Brussels, and “Entre-temps”, a long-lasting digital and luminous work for the performance hall Le Silo in Marseille). Sara de Gouy is a space designer, state-certified architect and visual artist living in Lyon.įrom furniture design to light installations and architectural projects, light and colour are essential components of her work, which crosses and naturally gives rhythm to the three parts of the exhibition. Download the exhibition booklet in french / translation in english.Her text cut into fragments will be confronted with around fifty "blue" images from our collections, the history of art and popular culture, to pay tribute to this book, a true ode to melancholy and resilience. Paintings by the artist are then presented side by side, printed on a large scale for the occasion, bringing together subjects that traverse the whole complexity of perceptions of green, such as dragons, Zelda video game, or the green screen in cinema.įinally, author and poet Maggie Nelson composed the work Bluets (2009) based on the different forms of obsession she developed for the blue colour after a romantic break-up. Veronese Green is the name attributed to a specific shade of colour, which leads to linking the use of green in the paintings of the 16th century Italian master. They resonate with creations and symbols related to the red colour, such as the rose, Soviet posters or the LEGO logo. From The Shining to Dead Zone, his very autobiographical cult books give a glimpse of his childhood fears and joys, much more than we could imagine. Red showcases Stephen King’s various passions for writing, detective and fantastic literature, as well as the films adapted from his works. How does the eye perceive colour? Additive and subtractive synthesis, halftone, paint, pigments: alongside a reflection on the formation of these colours, their social and political roles, let us explore together the worlds of three artists to give an aesthetic and emotional insight to the whole: Stephen King, Veronese and Maggie Nelson. RGB FOR RED, GREEN, BLUE, THREE EXHIBITIONS IN ONE, THREE PROJECTS DESIGNED AS THREE LAYERS OF A SINGLE IMAGE, INDEPENDENT OF EACH OTHER AND WHICH CREATE SURPRISE AND SHARPEN OUR EYES WHEN SUPERIMPOSED.Įxhibition from Friday April 7 to Sunday September 3, 2023.
0 Comments
Leave a Reply. |